e Journal de la SSPA

Museum

«Ma­te­r­i­al Mem­o­ry» and Post­mi­grant So­ci­ety

Jonas Bürgi
Pro­pos­als for col­lec­tion de­vel­op­ment and in­ter­pre­ta­tion at the Swiss Na­tion­al Mu­se­um National Museums claim authority in defining ‚cultural heritage’. Migration histories, as relativ...

Mem­o­ry, Archive and Me­di­a­tion

Felipe Polanía
Ap­proach­es for me­di­a­tion prac­tice with refugees Is it possible to speak of a collective memory of people who have fled their places of home? Can mediation contribute to contruct a collective ...

Mu­se­um of Burn­ing Ques­tions

Nora Sternfeld
Negotiating with reality at the Bergen Assembly 2016 Are exhibition contexts places of refuge for critical teaching and learning, precursors of their total economization, or both? And what does thi...

GERMAN, NATURAL AND NAKED? The Colonial Entanglements of the Life Reform

Saskia Köbschall
Taking the author’s personal experiences with the German nudist movement as a starting point, this essay explores the discursive link between colonialism, its ideology of racial hierarchies and th...

Breaking Open Old Structures: How Can the Colonial Structures of the Museum Be Broken Up and New Points of Access Created?

Franka Schmitz, Drenica Prekazi, Mina Kocaman, Sabine Rudnizkij
The podcast presented in this issue is the result of our engagement with the history, functions, actors, and target audience of the museum, and their relationships to education. Using guiding quest...

Kunstvermittler*innen to be – Reflexionen zu Grundlagen, Framing und Methoden in der Ausbildung der sobat-sobat für die documenta fifteen

Isabell Baldermann
Cet article traite de la formation des médiateurs d'art pour la quinzième édition de la Documenta et de l'impact de cette formation sur l'équipe de médiation pendant l'exposition. La question des c...