Differenz

The paper is based on an introductory talk given at the conference Perfoming the Museum as a Public Sphere at Kunstmuseum Lentos, Linz, in April 2008. It parts from Charles Garoian’s thesis that a...
Cul­tur­al ed­u­ca­tion and re­search based on ex­ter­nal fundsUniversities, research and non-profit institutions have their dependence on external funds in common. Agnieszka Czejkowska's article d...
Notes from the per­spec­tive of mi­gra­tion ped­a­gogy Rather than asking about the culture of specific migrant groups, how these cultures can be described and what enables the understanding betwee...
Learn­ing the hege­mo­ni­al lan­guage in mu­se­ums Based on brief sketches on topics such as dialogue, difference, recognition, knowledge, reciprocity and reflexivity in pedagogical settings, this ...
Pre­lim­i­nary thoughts based on a study of in­equal­i­ty in the field of the art school Based on the results of the project making differences which deals with social injustice in the field of Swi...
Work­ing the Third Space and Be­yond This essay was published in 1999. It explores the difficulty of «difference» within pluriculturalist art education. It explores the dominant liberal humanist ap...
In his text, Stephan Fürstenberg focuses on dominant representational forms of the figures art mediator and public. In referencing historical image examples, he works out productions of difference...
or AM I RACIST? The text deals with an intent to deport a student at our school, the protest movement that mobilized against the deportation, and an art project with students from several courses o...
Build­ing re­la­tions and leav­ing rests in car­togra­phies What enables reflective processes, that can help to view one’s own thoughts and actions in their conditioning frameworks and to criticall...
Be­tween af­fir­ma­tion and am­bi­gu­i­ty Who «belongs» and who doesn’t? What do I have to do to belong? What happens if I don’t fit the norm? The «workshop about myself» offers foster children pos...
Body-​het­eroglos­sia and crip tools for dirty knowl­edges in art teach­ing Choosing the form of an email-conversation, Doris Arztmann and Eva Egermann discuss their workshop Body-Heteroglossia – u...
For­ma­tion of jugde­ments of taste and so­cial in­equal­i­ty in art ed­u­ca­tion To a large extent and contrary to the common individualistic description of judgements on taste, our perceptions ar...
Re­flec­tions based on a par­tic­i­pa­tive re­search process Based on experiences in the participative co-research-process of Art.School.Differences, an ongoing research and development project at ...
On the occasion of the special exhibition Evil Things. An Encyclopedia of Bad Taste by the Werkbundarchiv – Museum der Dinge this article portrays The Cabinet of Bad Taste of Gustav Pazaurek. It o...
the sketch of a his­to­ry of con­flict­ing ideas and po­lit­i­cal trends in ac­tion re­search The text provides an outline of the history of action research from its beginnings in the 1920s up unti...
in search of crit­i­cal ap­proach­es to pro­fes­sion­al­is­ing in ped­a­gog­ics There is a lack of socially critical approaches to professionalization in the education of pedagogues and also in the...
has been a Junior Professor for Art Media Education at the University of Cologne since 2019. She works and researches in art education and media theory within the field of image science and receive...
Nicole Heri completed her MA in art with a focus on art in public spheres at the HSLU – D&K. Her research focus is on extra-curricular art mediation and art mediation in public space. She works...
Pamela Gardi completed a master's degree in art education and a bachelor's degree in art and design education at the Bern University of the Arts. In 2015 she completed a semester abroad at the Écol...
Bettina Gassmann is a stage designer and teacher of visual arts. She has worked at various theaters and opera houses. She also experienced her first teaching situation as a theatrical moment. Durin...
Born in 1953, Bernhard Chiquet works between 1973 and 2018 as a teacher for art education and professor for pedagogy and didactics in art and design. He is a concept artist, and lives and works in ...